(2001-2007, 2025)

This play is based on a true story. Set during the 1989 Marxist youth insurrection in Sri Lanka, the story centers on Amarawansa, a labourer whose son is abducted.

(2016-2019, 2024-)

A Stages ensemble performance examining seventy years of Sri Lankan history.

(2024-)

A dramatized performance of a poignant and devastating love letter written by a young Rohingyan refugee to a friend trapped in Gaza.

(2024-)

A simple modern-day parable detailing how the Palestinian/Israeli conflict began and why it remains unresolved.

(2024)

Maali wants to buy some rope and be done.

(2023)

What pushes us forward? Our fear or our faith? And what holds us back? Our faith or our fear?

(2023)

Our Youth Ensemble’s maiden production PING! deals with contemporary youth issues such as digital dependence, deteriorating mental health, changing family dynamics and the growing disconnect between generations.

(2022)

A play about all the comings and goings (and going-ons) in this little island nation.

(2016 - 2020)

Some monologues reflect the lives of prominent, public personalities; others, the lives of lesser known people.

(2019)

A play that shames period shaming

Directed by Piumi Wijesundara and performed by the students of Methodist College, Colombo.

(2018)

How entire communities are rendered unthinking in a moment?

(2018)

A play about love in 13 letters.

(2017)

A monologue by a stateless child

(2017)

Wars are dotted by checkpoints… and women’s secrets.

(2016)

A response to an international artist call from ASHTAR Theatre, Palestine In collaboration with Mind Adventures Theatre Company, Colombo.

(2015)

A Stages ensemble performance examining seventy years of history, in collaboration with Mashirika Performing Arts & Media Company, Rwanda.

(2014)

A devised play created in collaboration with Ananda Drama, that looks at the creation, manipulation and spread of social phobia through the strange Sri Lankan phenomenon, the infamous Grease Yaka (Grease Daemon).

This play was directed by Ruwanthie de Chickera and was performed at the Lionel Wendt Theatre in August 2014.

(2014)

A play without words.

(2012)

A fairy tale for grown-ups.

(2012)

Thirteen actresses from the English and Sinhala stage read and performed pieces on the subject of being an artist mother.

Take a look at our early productions!